(Or ‘The Elusive Art of Stropping’, or ‘What You Will!’)
By
Mark Hordon (Beaver Bushcraft)
Stropping is the finishing step in sharpening a blade.
By way of explanation, let us state from the offset that Stropping is the ‘Finishing’ or ‘Final’ step in the process of sharpening a blade, which cannot be accomplished properly until a blade has been initially, and successfully, sharpened. For that procedure you’ll have to have first read my previous article 'Razor Shark – Field Sharpening’ that was published in issue 71 Nov/Dec 17 of the Bushcraft & Survival Skills magazine or read it now by 'Clicking Here' … unless you can confidently sharpen a blade to a state that would actually benefit from being Stropped that is!
In this article I will explain about the stropping technique that I developed, over a number of years, as part of my own sharpening system.
In the ‘Razor Shark – Field Sharpening’ article, which I have renamed 'Razor S.H.A.R.K. Sharpening', mentioned above, I describe a simple, yet foolproof, methodology for sharpening any cutting edge on the planet. The system was developed by me over a number of years in response to the numerous difficulties many of my students were having whilst learning and practicing traditional sharpening techniques. The main problem most beginners seem to encounter, including myself, when I was still a sharpening neophyte, is that whilst the traditional theory of sharpening is relatively simple grasp, the practitioner is required to quickly develop a moderately high skill set, if they are to achieve any degree of sharpening success. In other words it seemed to me, when using traditional sharpening systems that the degree of blade sharpness that is usually attained is exponentially related to the level of skill that the practitioner has mastered at that point.
I reasoned that there ought to be a method, as yet unknown, of sharpening that required only the simplest of sharpening paraphernalia that could easily be taught, learned, mastered and then practiced and would give outstanding results from the outset. It had to be a system that would give professional results, would meet, or even exceed, most peeps expectations of blade sharpness and yet would satisfy even a fanatical cutting edge fusspot like me!
Given a smidgeon of practice, the techniques described in the article would enable most everyone to at least attain a level of sharpness that I refer to as ‘Chef Sharp’ i.e. sharp enough to easily and cleanly cut through a squishy tomato, which seems to be the iconic symbol of measuring blade sharpness.
Taking a blade that would be considered to be Chef Sharp, up to the next level of sharpness i.e. making it ‘Razor Sharp’, would be the subject of another article, since it would require a degree of explanation that would make it into a story in and of itself; hence this article.
To - laconically - describe the benefits of this article, yes I do know a few big words! I would say that Stropping is: ‘The final 1% of the sharpening process that makes 99% of the difference!’
I would strongly recommend that you read that article before this one, since it will give you a strong background into the Razor S.H.A.R.K. Sharpening technique as a whole. If you would like to read the 'Razor S.H.A.R.K. Sharpening' article frist please 'Click Here'. If you want to get straight into Stropping, let's get started!
In essence a Strop is a sharpening tool that used in the final or finishing step of blade sharpening. It is usually made from a soft material, such as paper or card, a soft wood such as balsa or fibreboard, or even from cloth; however leather is often considered the best material to use. Such materials are often stuck on to a flat, solid platform, or ‘Platen’, such as wood, glass or steel to name but a few that adds stability to the stropping material and the process of stropping, thereby allowing easier stropping to take place.
Since Strops are generally made from soft materials, they are, by design, not really intended to actually sharpen a blade’s cutting edge. Nevertheless, they can, at a pinch, be said to add to the sharpness to a blade - given that enough strokes, say 50 to 100 and up, on the Strop are made. However, I would say that the extra sharpness gained would be so insignificant as to be considered irrelevant to the finished results; bearing in mind what a Strop is usually made from, and then comparing it’s softness to the hardness of tempered steel. Certainly I have never really noticed any significant difference in all of the decades I have been sharpening and cutting.
Well, stropping is mainly used to realign a blade’s cutting edge, by straightening out any micro-rolls or distortions that occur when a blade is used. Also, stropping will clean the blade, wiping away debris that may have become stuck on the cutting edge itself, thereby reducing the cutting efficiency of that blade. It does not actually sharpen a dull blade. Want to know more about Sharpening your blades?
A Honing Strop, on the other hand, is a horse of different colour. A Honing Strop it is a standard Strop, preferably made from leather that has been coated, or ‘Loaded’ with an exceptionally fine abrasive. Thus, when a blade is repeatedly drawn, across a Honing Strop’s surface the addition of an abrasive will grind away metal from the blade, which is called ‘Honing’. Removal metal in this way effectively sharpens the blade; therefore, if no abrasive is present, it will not, because it effectively cannot!
In essence, all you have to do to turn a Strop into a Honing Strop is apply a small amount of a Honing Compound to its surface and voila, it becomes a Honing Strop. The impossi-difficulty lies in turning a Honing Strop back into a standard Strop, because once and abrasive has been applied the surface has effectively become contaminated – permanently! It is therefore important to think carefully before you commit!
The abrasives that are usually used on Honing Strops are called Honing Compounds. The most common Honing Compound abrasives are essentially made from superfine materials such as Aluminium Oxide, Carborandum, Silicon Carbide, Glass, Boron Carbide or even Diamond, to name but a few. These abrasives are so small that they are measured in microns (μm). A micron being one-thousandth of a millimetre (0.001mm) or 0.000039 of an inch; another way of categorising the particulate size of such abrasives is to refer to the ‘Grit’ size. The bigger the Grit size number, the smaller the actual size of the abrasive and therefore the finer it is. To give you some idea of scale, the thickness of the average human hair is about 75μm whilst the abrasive particle size of most Honing Compounds usually ranges from about 7μm or 2,800 Grit, to say 1μm or 14,000 Grit, the best size, in my opinion, being about 8,000 Grit or 3μm (microns) in size. Abrasives are mixed with a sticky(ish) carrying medium such as water based thickening agents, oils or waxes that allow an even coating of abrasive to be applied to the surface of a Strop. Applying a Honing Compound to a Strop is called ‘Loading’ the strop.
Hone Stopping, or simply Stropping, is done for two main reasons. The first reason, as already stated, is that Stropping is that last 1% of the sharpening process that adds 99% to the sharpness of a blade. The second reason is that it is an easy-peasy way of extending the life of a blade’s cutting edge - by a long way - before it needs to be re-sharpened on a whetstone again. A double ‘W B thank you mam!’ you might say.
As to the ‘When’ should a blade be stropped? Well that is hard to say, since it depends on a whole host of variable and factors. It is like asking the proverbial question, ‘How long is a piece of string?’ Suffice to say that it is an inalienable fact of life that whatever a blade is made from, however well it is made and then sharpened; it will eventually start to become dull. It is, therefore, my most ardent advice that at the very second you notice that your blade is failing to glide through the material that is being cut, at the very second when you notice that you are using that little bit of extra force to make a cut, it is time to give the blade a quick Strop. If done at this point the blade can ninety-nine times out of a hundred be brought back to its peak level of sharpness. More on how this is done later.
If, however, you leave it just a fraction of a minute longer, it may well past the point of no-return i.e. that critical point where you just can’t bring it back to its former glory and will, therefore, have to go through the whole sharpened process again from the beginning.
By way of explanation, let us say that the cutting edge of a blade, by virtue of it being made from metal, will always be somewhat softer than a Whetstone being made of … well Stone; so, a blade will always conform to the surface of a Whetstone. Conversely, a Strop, usually being made from a soft material such as leather being somewhat softer than the metal of a blade, will always conform to a blade’s cutting edge.
Since a Strop’s flexible soft surface, effectively wraps itself around a blade’s cutting edge, due to its elasticity, whilst the Honing Whetstone inflexible hard surface does not, Stropping a blade on a Strop, as opposed to a Whetstone, allows us to pay, markedly, less attention to blade stability and honing angle. This allows us to significantly increase the stropping speed, thereby saving us gobs of time, and effort to boot.
Having said this, here’s the ‘Rub’ that gives us pause; the very reason that makes the use of a Honing Strop so very fast and efficient, i.e. its flexibility and ability to conform to the cutting edge, is, ironically, the very same reason that prevents us from ever creating a ‘Scary Sharp’ cutting edge. To put it another way, the main disadvantage of using a Honing Strop over a Honing Whetstone, is the inability to ever achieve a ‘Scary Sharp’ cutting edge.
Try, if you will, pressing the tip of your finger gently into the muscle of your arm and then drag that finger down your arm, you will observe the way the skin on your arm flexes around the finger as the finger is moved. You will also observe that the skin on your arm does not suddenly flex, but is gently forced to conform to your finger, in a natural gentle curve like a ripple on a pond. It is the skin on your arm that gives to the point of your finger and not the other way around. If you now transmogrify your finger into a blade and your arm into a strop you will see, in your mind’s eye, how essentially a Strop works, albeit on a micro scale.
A blade’s actual cutting edge can be divided into three distinct parts. First is the ‘Cutting Edge Point’, second is the ‘Cutting Edge Plane’ and third is the ‘Cutting Edge Shoulder’, collectively they are called the ‘Cutting Edge Platform’ (see diagram ‘Blade Profile’).
So, if a Strop ‘Gives’ under the pressure of a blade’s cutting edge, whilst stropping, because its surface is flexible, that surface needs to be somewhat elastic if it is to spring back into shape once the blade has passed. The elasticity of the Strop consequently causes a counter pressure that is pushed back into the blade which is called the ‘Opposed Compression Pushback’ (see diagram ‘Stropping on a Honing Strop’).
The Opposed Compression Pushback is maximised at two distinct points on the Cutting Edge Platform, namely at the Cutting Edge Point and at the Cutting Edge Shoulder. The increased pushback causes maximum abrasion at these two points, which eventually will cause the Cutting Edge Platform to become convex, or rounded. This ‘convexing’ of the blade’s cutting edge makes the it look like the tip of a ballpoint pen, effectively making the cutting edge angle so obtuse that it cannot ever be sharpened to a razor sharp level without it being flattened again on a Whetstone (see diagram ‘Cutting Edge Abrasion Compassion’).
By contrast, when stropping your Blade’s cutting edge on the surface of a hard and inflexible Honing Whetstone, a Japanese Polishing Stone for example, it is the Blade’s cutting edge that gives to the stone and not the other way around. Thus by way of example, if you press the tip of your finger into the surface of a table, it is your finger that now gives to hard inflexible surface of the table.
With this in mind, when a blade is being stropped on a Honing Whetstone, the Cutting Edge Point, Cutting Edge Plane and the Cutting Edge Shoulder should all be abraded at the same time and with equal pressure, ideally allowing them to remain flat to each other. At first glance it might seem to be a much better option to use a Honing Whetstone as opposed to a soft flexibility of a Strop, but the rubs that gives us pause.
Blade stability is of paramount importance whilst freehand sharpening on the hard, unforgiving and inflexible surface of a whetstone. So, when you bear in mind that a blade’s Cutting Edge Platform, may be anything from the width of a human hair (say about 100μm or 0.1mm) to the entire Relief Angle of the blade (as in a Samurai Sword), it is worth thinking about how effectively we can keep these three points perfectly flat if they are very small.
To keep the Cutting Edge Point, Cutting Edge Plane and Cutting Edge Shoulder, whilst freehand sharpening, all squared and aligned to each other on say a Samurai Sword would not a problem. This is because the Cutting Edge Platform on these swords is usually very broad and therefore allows us to sharpen them with a high degree of stability. However, if a Cutting Edge Platform were to be only 100μm or 0.1mm wide, as would be normal if we were to add a secondary bevel to the relief angle that would become the Primary Cutting Edge, we would have a real big problem with freehand sharpening stability because the Cutting Edge Platform is so very small.
Since we are all biological machines, made from flesh and bone held together with sinew and muscle all wrapped in a soft skin bag, we are designed to be a little bit bendy and pliable. Whilst this is great at stopping us from breaking with every bump and bang we encounter during our lives, it is a positive disadvantage when it comes to blade stability whilst freehand sharpening. It is an inevitable consequence that we add unwanted, albeit on a micro level, pitch, yaw and rotation to any ‘back and forth’ motion we make whilst sharpening a blade on a Whetstone (see diagram ‘Rocking the Cutting Edge’). It is, as they say, as inevitable as death and taxes and will happen to some degree or another no matter how skilled at sharpening we are, or will become.
On the whole I would say, that the advantages of stropping with a Honing Strop outweigh the extra sharpness that can be obtained by stropping on a Honing Whetstone, unless, that is, you put in a considerable amount of practice time to improve your skill level. The difference in sharpness will probably not be noticed, between the two techniques, especially on everyday cutting tasks. Using a Honing Strop will still get a blade’s cutting edge to be ‘Hair Popping Razor Sharp’; it will just not be ‘Scary Sharp’ is all.
The best quality Strops are, in my opinion, made from leather, but not just any old leather! You should know by now that it is not that simple! Yes, Strops can be made from lots of other materials, but good old fashioned traditional leather is by far the best and most durable material to make Strops from.
If the very best stropping results are to be obtained whilst using a traditional Leather Strop, we need to take a look some of the finer qualities of the leather that is to be used. Leather quality, density, thickness and the tanning process used to make the leather are all very important considerations when either buying or making a Strop: -
Wiping a blade across a Strop’s surface that has been treated with a honing compound will cause a small amount of metal to be removed with each stroke. It is the build-up of this metal swarf mixing with the abrasive that quickly turns the surface of the Strop grey. The thicker this residue, the surface patina, becomes the darker it will appear, the darker appears the better the Strop will be for detecting microscopic cutting edge imperfections. So, the big bucks secret to successful stropping is all down to the Strops surface patina colour.
Whenever a blade is used to cut something it will inevitably develop micro-chips, nicks, rolls and burrs along the cutting edge. If you then strop the blade you will clearly see these imperfections as a single or set of parallel lines on the surface of the Strop, much like looking at a ploughed field from a thousand feet up in the sky. These long singular or multitudinous parallel lines will become very apparent on the Strop’s surface, because the imperfections in the blade’s cutting edge will lift the leathers nap, thereby creating a noticeable high contrasting line or lines. These imperfections can then be mentally catalogued for future reference and then polished out on the Strop (see diagram ‘Lines on the Strop’ and photo ‘Strop with lines’).
To polish a blade’s cutting edge you start by learning and then doggedly and persistently following the first two rules. The first two rules are as follows: -
The last stage in the stropping process is also the ‘Maintenance’ stage in the stropping process; this is talked about in the ‘So why do we strop and when should it be done?’ section of this article. I usually refer to them as the ‘666 strops’, this is because it has wicked connotations and therefore makes a good tag to stick in the mind. Here’s how 666 strops are done: -
When the above steps have been completed your blade will be as sharp as you can get it at your current skill level, however, with practice the blade will become even sharper. Hopefully you will want to keep your blade in its peak condition for as long as possible; to this end it is important to judge the exact moment you need to give it another 666 Strops.
All things being equal the 666 strop will easily bring the blade back again, but remember to look for the tell tail signs of blade damage when you first begin to strop the blade and immediately repeat steps 3 to 20 if you spot them. If you ignore them, and continue to use the blade, you may well have to re-sharpen the blade from the very beginning again.
If your blade is not ‘Razor Hair Popping Sharp’ by this time then it will be for one of the following reasons: -
Here are a few hints and tips that may help you to get better results.
A Honing Strop is only ever used as ‘the finishing step in sharpening a blade’, it is, therefore, vitally important to remember that a Honing Strop cannot ever sharpen an already dull blade. If your blade’s cutting edge looks like a piece of round-bar and you strop it on a Honing Strop it will simply look like a well-polished piece of round-bar! It is essential that a blade’s cutting edge be as sharp as it can possibly be, before a Honing Strop is ever considered for use.
Please read my previous atricle 'Razor S.H.A.R.K. Sharpening' (Simplified Honing for Advanced Razor-sharp Knives), which demonstrates the simple principles, easily learned and mastered on how to simply and easily sharpen any Cutting Edge to a Razor Edge.
I have made several videos that demonstrate the system used in this article, which can be seen on our web site www.BeaverBushcraft.co.uk in ‘Videos and Articles’ under ‘Sharpening Videos by Mark Hordon’
Thanks for reading this article, and my previous one if you did so. If you have any questions I would be delighted to answer them for you, please send any questions to [email protected].